the silence of the unsaid , 2017 Installation view at Art in General, Brooklyn, NY. Photo: Charles Benton.

the silence of the unsaid, 2017
Installation view at Art in General, Brooklyn, NY.
Photo: Charles Benton.

  Our disappearance is already there , 2017 Installation view at Art in General, Brooklyn, NY. Photo: Charles Benton.

Our disappearance is already there, 2017
Installation view at Art in General, Brooklyn, NY.
Photo: Charles Benton.

  What did I expect to find?  2017 silkscreen, 10 x 8" (2 units)  

What did I expect to find? 2017
silkscreen, 10 x 8" (2 units)
 

  the space in between , 2017, cast glass, 3.75 x 1.75 x 1.25"

the space in between, 2017, cast glass, 3.75 x 1.75 x 1.25"

  omniscience and oblivion,  2015 installation view at the basile gallery of the herron school of art and design, indianapolis (2017) listen to a sample on  soundcloud

omniscience and oblivion, 2015
installation view at the basile gallery of the herron school of art and design, indianapolis (2017)
listen to a sample on soundcloud

  entre-deux , 2017, multi-channel sound installation  sample on  soundcloud

entre-deux, 2017, multi-channel sound installation

sample on soundcloud

  ellipses , 2017, steel, each 5 x 5 x .75”

ellipses, 2017, steel, each 5 x 5 x .75”

  reading frequencies: omniscience , 2016  A hearing-accessible reading performance in the Queens Museum atrium draws connections between individual and collective memory through the frequency of word repetition.

reading frequencies: omniscience, 2016

A hearing-accessible reading performance in the Queens Museum atrium draws connections between individual and collective memory through the frequency of word repetition.

 Installation view of  Active Turn  at Socrates Sculpture Park for EAF15

Installation view of Active Turn at Socrates Sculpture Park for EAF15

 Imagery from  Active Turn

Imagery from Active Turn

  our disappearance is already there , 2015, 3 channel video, 20:30

our disappearance is already there, 2015, 3 channel video, 20:30

i'll smile and i'm not sad, 2012, single channel video, 56:03

 Installation view of  omniscience and oblivion (Barcelona)  installed at Arts Santa Monica, Barcelona   in 2014

Installation view of omniscience and oblivion (Barcelona) installed at Arts Santa Monica, Barcelona in 2014

 From the series  Our disappearance is already there, 2015, graphite on paper, 30 x 22"   

From the series Our disappearance is already there, 2015, graphite on paper, 30 x 22"
 

  Diminishing Distance,  2012 archival pigment print, 10 x 10"

Diminishing Distance, 2012
archival pigment print, 10 x 10"

 From the ongoing series  After Perec, 2015, Ink on paper, 30 x 22"

From the ongoing series After Perec, 2015, Ink on paper, 30 x 22"

  the silence of the unsaid , 2017 Installation view at Art in General, Brooklyn, NY. Photo: Charles Benton.
  Our disappearance is already there , 2017 Installation view at Art in General, Brooklyn, NY. Photo: Charles Benton.
  What did I expect to find?  2017 silkscreen, 10 x 8" (2 units)  
  the space in between , 2017, cast glass, 3.75 x 1.75 x 1.25"
  omniscience and oblivion,  2015 installation view at the basile gallery of the herron school of art and design, indianapolis (2017) listen to a sample on  soundcloud
  entre-deux , 2017, multi-channel sound installation  sample on  soundcloud
  ellipses , 2017, steel, each 5 x 5 x .75”
  reading frequencies: omniscience , 2016  A hearing-accessible reading performance in the Queens Museum atrium draws connections between individual and collective memory through the frequency of word repetition.
 Installation view of  Active Turn  at Socrates Sculpture Park for EAF15
 Imagery from  Active Turn
  our disappearance is already there , 2015, 3 channel video, 20:30
  i'll smile and i'm not sad , 2012, single channel video, 56:03
 Installation view of  omniscience and oblivion (Barcelona)  installed at Arts Santa Monica, Barcelona   in 2014
 From the series  Our disappearance is already there, 2015, graphite on paper, 30 x 22"   
  Diminishing Distance,  2012 archival pigment print, 10 x 10"
 From the ongoing series  After Perec, 2015, Ink on paper, 30 x 22"

the silence of the unsaid, 2017
Installation view at Art in General, Brooklyn, NY.
Photo: Charles Benton.

Our disappearance is already there, 2017
Installation view at Art in General, Brooklyn, NY.
Photo: Charles Benton.

What did I expect to find? 2017
silkscreen, 10 x 8" (2 units)
 

the space in between, 2017, cast glass, 3.75 x 1.75 x 1.25"

omniscience and oblivion, 2015
installation view at the basile gallery of the herron school of art and design, indianapolis (2017)
listen to a sample on soundcloud

entre-deux, 2017, multi-channel sound installation

sample on soundcloud

ellipses, 2017, steel, each 5 x 5 x .75”

reading frequencies: omniscience, 2016

A hearing-accessible reading performance in the Queens Museum atrium draws connections between individual and collective memory through the frequency of word repetition.

Installation view of Active Turn at Socrates Sculpture Park for EAF15

Imagery from Active Turn

our disappearance is already there, 2015, 3 channel video, 20:30

i'll smile and i'm not sad, 2012, single channel video, 56:03

Installation view of omniscience and oblivion (Barcelona) installed at Arts Santa Monica, Barcelona in 2014

From the series Our disappearance is already there, 2015, graphite on paper, 30 x 22"
 

Diminishing Distance, 2012
archival pigment print, 10 x 10"

From the ongoing series After Perec, 2015, Ink on paper, 30 x 22"

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