http://www.freyapowell.com/selectprojects daily 0.75 2020-12-30 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1586285994791-OQ6E0IFIXEVJFKV0L0BF/2020_ORR_1.jpg select projects Only Remains Remain, 2020, 15-person performance, 45:00 An immersive, 45-minute performance addressing a contemporary tragedy through the characters of Antigone. The performance uses the structure of a Sophoclean chorus to communicate an elegy for the hundreds of unidentified migrants that were buried in mass graves in Sacred Heart Cemetery in Brooks County, Texas. The county buried these individuals, whose bodies were found on nearby farms, without following traditional burial standards, in mass graves that bear no names. In 2013, forensic anthropologist Dr. Lori Baker started to exhume the remains and ascertain, through DNA testing, the identities of the deceased. Baker and her team worked tirelessly to return the bodies to their families and offer a sense of closure, echoing the heroic Antigone defying the state to honorably bury her brother. Through an ensemble of 15 performers, the piece explores the mournful potential of the voice utilizing pitch, intonation, breath, movement, and silence. The chorus of women seeks to recognize the lives of those laid to rest as unknowns by addressing the silence of their burial and our complicity and grief in the process. Production Assistance: Joy Salomon-Corlobe Costumes: Liz Altman Musical direction: Samuel Lang Budin https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1586285994791-OQ6E0IFIXEVJFKV0L0BF/2020_ORR_1.jpg select projects Only Remains Remain, 2020, 15-person performance, 45:00 An immersive, 45-minute performance addressing a contemporary tragedy through the characters of Antigone. The performance uses the structure of a Sophoclean chorus to communicate an elegy for the hundreds of unidentified migrants that were buried in mass graves in Sacred Heart Cemetery in Brooks County, Texas. The county buried these individuals, whose bodies were found on nearby farms, without following traditional burial standards, in mass graves that bear no names. In 2013, forensic anthropologist Dr. Lori Baker started to exhume the remains and ascertain, through DNA testing, the identities of the deceased. Baker and her team worked tirelessly to return the bodies to their families and offer a sense of closure, echoing the heroic Antigone defying the state to honorably bury her brother. Through an ensemble of 15 performers, the piece explores the mournful potential of the voice utilizing pitch, intonation, breath, movement, and silence. The chorus of women seeks to recognize the lives of those laid to rest as unknowns by addressing the silence of their burial and our complicity and grief in the process. Production Assistance: Joy Salomon-Corlobe Costumes: Liz Altman Musical direction: Samuel Lang Budin https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1586285281636-FOI9Z073UYNGPILF13BL/image-asset.jpeg select projects a murmuring, 2018, single-channel video, 14:42 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1586787470944-FH162VGF91I2XWM16I3Z/image-asset.png select projects When does "I" become "We"?, 2018, softcover book, published by BAM & Wendy's Subway In 2013, the War Resisters League, a pacifist organization active in the United States since 1923, put out a call in Critical Resistance’s The Abolitionist for stories of tear-gassing and pepper-spraying in prisons and jails. Hundreds of people sent in letters revealing the rampancy of human rights abuses in incarceration centers. Freya Powell’s When does I become We, based on her video On Fire like Hell Fire, gathers some of these harrowing accounts of prisoners’ exposure to chemical weapons into a polyphony of voices relating the injustices suffered through gassing and medical negligence and the lasting physical and psychological trauma resulting from these experiences. Available: Motto Distribution and Wendy’s Subway https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1586805125947-MPSNWD6PFFMYEXVV54CZ/image-asset.png select projects The Silence of the Unseen (excerpt), 2018, 4 channel video, 19:40 From the starting point of land always being the silent witness, this video connects the horizon as a point of unknown, the use of the American South West desert as a site of US missile testing and the birth place of the atomic bomb, man’s potential for failure, and the crash of the 122nd Athena test missile. https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1523561060058-YYT35CIS34WWJG7T1DZ0/image-asset.jpeg select projects The Silence of the Unsaid, 2017 (excerpt) Single channel video, 16:50 In July of 1970, the U.S. military launched an Athena missile from a base in Green River, Utah to test re-entry speeds and impact. The missile lost control, went about 400 miles off course, and crashed in a desert in northern Mexico, known locally as the Zone of Silence. It was carrying two containers of Cobalt-57, a radioactive element. In March of 2016, I traveled to this desert with questions about the silence surrounding the clean up of the crashed missile, as well as the myth that has since been building on this history. https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1586805597567-DNR48QIS6A2AJZX7YCSR/AIG_PowellSilence_Mar17_019-printres.jpg select projects Our disappearance is already there, 2017 Installation view at Art in General, Brooklyn, NY. Photo: Charles Benton. https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1492128426031-P7VOYU4R4WIPJCNEY5N6/AIG_PowellSilence_Mar17_005-printres.jpg select projects the silence of the unsaid, 2017 Installation view at Art in General, Brooklyn, NY. Photo: Charles Benton. https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1492132044779-SVUAUC8Z78ESEAQGLAZN/2017_WhatDidIExpectToFind_Install_1.jpg select projects What did I expect to find? 2017 silkscreen, 10 x 8" (2 units)   https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1499800526470-LDBRYSN4W0AJ7R61CBSC/2017_WhatDidIExpectToFind_Install_14.jpg select projects ellipses, 2017, steel, each 5 x 5 x .75” https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1499800770642-MOKXJ90HQ0EZ9GOCL88E/2017_TheSpaceInBetween_1.JPG select projects the space in between, 2017, cast glass, 3.75 x 1.75 x 1.25" https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1499872533178-9M547HJF27RKZUT61FHG/2017_O-O_Install_BasileGallery_2.jpg select projects omniscience and oblivion, 2015 installation view at the basile gallery of the herron school of art and design, indianapolis (2017) listen to a sample on soundcloud Omniscience and Oblivion (2015) explores the function of individual memories to speak to the existence of a collective or shared experience. For the project, I created an audio archive where participants were invited to anonymously share, via an online form, one memory they would like to keep forever and one they would like to let go. From these written contributions I recorded voices of different individuals reading a stranger’s memories. In the audio installation, each memory is therefore mediated: by the writer’s choice of words and grammar, by the reader, and by the presentation. By listening, the visitor can interpret the connection or disconnection between the voice and the memory being recalled. https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1466014626530-IF06AO99AZZ7NOU554QH/2016_RFO_still_1.png select projects reading frequencies: omniscience, 2016 A hearing-accessible reading performance in the Queens Museum atrium draws connections between individual and collective memory through the frequency of word repetition. https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1499871572057-4SBKNU1EEX6Y85UUW29E/FreyaPowell_EntreDeux.jpg select projects entre-deux, 2017, multi-channel sound installation, 40:55 sample on soundcloud Entre-deux is a multi-channel sound installation of collected memories on the notion of home and displacement. I often feel that I exist somewhere in-between, neither here nor there. Elsewhere. No doubt a common feeling for people who have lived in more than one country. I wonder, how do we define ‘home’? Is it a place? Perhaps in our mother country or where we have settled in our current. Is it a feeling? Perhaps found in the warmth of family. Or, is it a memory? A smell or a sound that triggers us to reminisce on something that once was. Through a participatory process I received anonymous written musings on home, I then employed new voices to read them and will present them in an interwoven sound installation. As distinctive as each iteration is, there are a few underlying collective notions: Home is a place where… From the place that I was born… The closer we come to finding… To the comfort and familiarity of… These notions of origination, return, and security make up chapters of voices, which will be projected into the exhibition space through standing speakers. Where one voice pauses, another chimes in offering their understanding. The voices will be choreographed to move the viewer through the space, resting in moments to listen, or to return to complete the chapter. https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1443703822542-3BEPXI8Y8DC09XUX2O4U/image-asset.jpeg select projects Installation view of Active Turn at Socrates Sculpture Park for EAF15 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1499801119910-V41532LDJIXOU2Q1ZNTK/2015_ODIAT_3Channel_2.jpg select projects our disappearance is already there, 2015, 3 channel video, 20:30 This silent piece shows the physical distance between New York City’s public and potter’s field, located on Hart Island in the Bronx. The seemingly abandoned island that holds over a million deceased is seen from two vantage points, as it is circumnavigated by the camera. In contemplating the separation currently enforced by the Department of Corrections around the public space of the cemetery, the project calls into question the value of life, and how lives are allowed to be grievable or not through frames of reference such as shared experience, nationality, or humanness. https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1444574711488-C9UGY0H2YKCRSO76YAB5/2015_ODIAT_1_cc.jpg select projects From the series Our disappearance is already there, 2015, graphite on paper, 30 x 22"   https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1531259771976-DADCX490PLZLVG9WE2CN/2017_Holding_1.jpg select projects holding, 2017, cast graphite, 6-3/4 x 5-1/2 x 3” https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1587057856869-VBTY5CLZBAFSIDYJQ0J4/image-asset.jpeg select projects On fire like Hell Fire, 2016, single channel video, 20:51 A narrative-video of interwoven personal statements by men and women incarcerated across the U.S. regarding their exposure to chemical weapons by prison guards. I had been given access to hundreds of letters gathered in response to an ad placed by the War Resisters League in Issue 21 (2013) of The Abolitionist, a newspaper distributed in American prisons by the prison abolitionist group Critical Resistance. These incarcerated men and women have expressed a desire for their stories, of first hand experience with chemical weapons while incarcerated, to be heard. On fire like Hell Fire draws the connection of the use of chemical weapons as a form of submission, often on individuals with known mental health issues, from the individual to the collective prison experience. https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1586785231813-PJBZQGHDNHTFQKAAXQVQ/2016_AfterPerec_11.jpg select projects from the ongoing series After Perec, 2016, ink on paper, 30 x 22” https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1586785385115-CTEDEEUAH7HKCJ7YO6PO/2016_AfterPerec_13.jpg select projects from the ongoing series, After Perec, 2016, ink on paper, 30 x 22” https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1452101684994-O5EUZ2VXBEMQ7956OBTO/2015_AfterPerec_CW_1.jpg select projects From the ongoing series After Perec, 2015, Ink on paper, 30 x 22" https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1444574696805-SHQ0S6G72E91SV094ZWQ/O%26O.jpg select projects Installation view of omniscience and oblivion (Barcelona) installed at Arts Santa Monica, Barcelona in 2014 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1444574760281-IVUMPE8Q9RTOH3RSQ1UK/AC_Grass_altered_noise.jpg select projects Diminishing Distance, 2012, archival pigment print, 10 x 10" https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1523561441643-T4XCMG3YFEL9JNI70W0Y/image-asset.jpeg select projects i'll smile and i'm not sad, 2012, single channel video, 56:03 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1586789003823-VGC5SWTL5MUVZL5SBLGR/image-asset.jpeg select projects An interview with Conch.FYI, 2019 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1466014211132-V9N4MK1A0G9XCTMRDQLC/2016_RFO_still_1.png select projects reading frequencies: omniscience, 2016, Queens Museum A hearing-accessible reading performance in the Queens Museum atrium draws connections between individual and collective memory through the frequency of word repetition. https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1487958473862-W72HQ1MG00DA27A92YJ8/Powell_SOTU_Still_01.jpg select projects the silence of the unsaid 2017 single channel video 16:50 On view at Art in General February 24 - March 15th https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1487958446945-BUM5J20T404UW57XTU36/Powell_SOTU_Still_01.jpg select projects the silence of the unsaid 2017 single channel video 16:50 On view at Art in General February 24 - March 15th https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1466014576193-C4KVOCFN4L6LPJ5OHGQP/2016_RFO_still_1.png select projects reading frequencies: omniscience, 2016, Queens Museum A hearing-accessible reading performance in the Queens Museum atrium draws connections between individual and collective memory through the frequency of word repetition. https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1487958268535-3QGH8DHQ9EKEWGPMCUAU/Powell_SOTU_Still_01.jpg select projects the silence of the unsaid 2017 single channel video 16:50 On view at Art in General February 24 - March 15th https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1487958242982-U8BCPKDYEMKI48QUI4U0/Powell_SOTU_Still_01.jpg select projects http://www.freyapowell.com/bio daily 0.75 2024-04-08 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/047d0bfe-daaf-4916-91fd-58a2fc1022da/2018_ItMakesMeSad_selfie.jpg bio + contact - Make it stand out Born in London, UK Based in New York City http://www.freyapowell.com/only-remains-remain daily 0.75 2025-07-23 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1635619169597-YXLAGVVZDP1TOR0O10MR/walter-wlodarczyk-2021-10-23-_89A1399.jpg only remains remain Only Remains Remain, 2021, 15-person performance, 45:00. Photo by Walter Wlodarczyk, Courtesy of MoMA PS1 An immersive, 45-minute performance addressing a contemporary tragedy through the characters of Antigone. The performance uses the structure of a Sophoclean chorus to communicate an elegy for the hundreds of unidentified migrants that were buried in mass graves in Sacred Heart Cemetery in Brooks County, Texas. The county buried these individuals, whose bodies were found on nearby farms, without following traditional burial standards, in mass graves that bear no names. In 2013, forensic anthropologist Dr. Lori Baker started to exhume the remains and ascertain, through DNA testing, the identities of the deceased. Baker and her team worked tirelessly to return the bodies to their families and offer a sense of closure, echoing the heroic Antigone defying the state to honorably bury her brother. Through an ensemble of 15 performers, the piece explores the mournful potential of the voice utilizing pitch, intonation, breath, movement, and silence. The chorus of women seeks to recognize the lives of those laid to rest as unknowns by addressing the silence of their burial and our complicity and grief in the process. Production Assistance: Joy Salomon-Corlobe Costumes: Liz Altman choral direction: Samuel Lang Budin Ensemble: Aline Salloum Cassandra DeMarco Christine Romulus Courtnie Alvarado Hannah Bailey Lindsey Mayberry Natasha Thweatt Kate Garfield Caroline Burkhart Natasha Walfall Maria Lavalle Allison Gish Nina Dante Shanna Iglesias Laura Murphy This performance is made possible in part by the Queens Council on the Arts with public funds from the New York City Department of Cultural Affairs in partnership with the City Council. https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307288687-FKUKRO5K779OJTCFMX68/walter-wlodarczyk-2021-10-23-_89A1320.jpg only remains remain https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307231802-TDUDO6HUT3CZKX37NEOE/walter-wlodarczyk-2021-10-23-_89A1102.jpg only remains remain https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307245275-404OW4SIOFBPNOSJB9KY/walter-wlodarczyk-2021-10-23-_89A1128.jpg only remains remain https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307258119-HIS5TV17YNMLOW5K045Y/walter-wlodarczyk-2021-10-23-_89A1178.jpg only remains remain https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307296838-1ZMCP70W3F9SYX8T1ARD/walter-wlodarczyk-2021-10-23-_89A1343.jpg only remains remain https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307308398-FKGD3NAYYDFCRR8B9X21/walter-wlodarczyk-2021-10-23-_89A1356.jpg only remains remain https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307321428-UR34MHPABV3BQSMQRMEO/walter-wlodarczyk-2021-10-23-_89A1372.jpg only remains remain https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307381825-IE7RRC2796SANZUOIX6Q/walter-wlodarczyk-2021-10-23-_89A1416.jpg only remains remain https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614560480064-UK5MH4POP3MQPTOZS9RK/Screen+Shot+2021-02-28+at+4.19.35+PM.png only remains remain http://www.freyapowell.com/omniscience-and-oblivion daily 0.75 2021-02-28 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614543236680-RIQ8JPQTOV303EEZSNW3/2017_O-O_Install_BasileGallery_2.jpg omniscience and oblivion installation view at the basile gallery in the herron school of art and design, indianapolis http://www.freyapowell.com/our-disappearance-is-already-there daily 0.75 2024-02-11 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614541039578-I1MZKHEVIC0Q7Q2AXKGU/06_OurDisappearanceIsAlreadyThere+2.08.33+PM.jpg our disappearance is already there Our Disappearance is Already there 2017 Vinyl text on painted wall, installation view of Art in General 117 x 233” http://www.freyapowell.com/i-am-tender daily 0.75 2021-02-28 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614543928400-9PTINWSMST5Q1EOS1EG6/2018_ItMakesMeSad.jpg i am tender https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614543858708-X4KWGZWB4CZKVYWK9WBV/2018_IAmTender.jpg i am tender https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614543965308-VD3DWNNZXRU9V9HJKWPL/2018_IAmTheObject.jpg i am tender http://www.freyapowell.com/hands-holding daily 0.75 2021-02-28 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542578196-A748BPV355WV7IHCT7GS/2017_Holding_2.jpg holding https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542516891-2PYZ9GQ3KGZFOS6JTVX8/2017_Holding_1.jpg holding http://www.freyapowell.com/when-does-i-become-we daily 0.75 2021-02-28 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542812856-839I0H9FVUW0KHD4B2ID/2018_WhenDoesIBecomeWe_Cover.png when does i become we? http://www.freyapowell.com/new-page-1 daily 0.75 2021-02-28 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542209566-HW24UTZFHVREV3G7I32S/2015_ActiveTurn_CW_4.jpg active turn https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542220862-JAIYCTJHM98OJLRCSN6A/2015_ActiveTurn_CW_8.jpg active turn https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542226596-TYY2POQO9L8UT5ZEIU0X/2015_ActiveTurn_CW_10.jpg active turn https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542241023-CD4B1SMWCSE582IO182Q/2016_Powell_Snow_1_Socrates.JPG active turn https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542401480-2A7T3P32OPA0OLCDR5JQ/2016_ActiveTurn_OMI_2.png active turn https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542401497-K6K4YS7JT0HCJ5O5DZBQ/2016_ActiveTurn_OMI_Install_1.JPG active turn https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542405019-MGWZP8Y9RT2K9RITJJD5/2016_ActiveTurnHome_OMI_3.JPG active turn https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542453546-CJYFO6WSZU2Y6HIXB002/Active+Turn.jpeg active turn https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542073960-AAV9JDDNQNNM1VJV1P8J/2015_ActiveTurn_ZAP_2.JPG active turn installation view at Socrates Sculpture Park https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614542291952-X7ZXEDY4AVD7MCJX7YH3/2016_ActiveTurn_OMI_1.jpeg active turn installation view at Art OMI http://www.freyapowell.com/a-murmuring daily 0.75 2024-02-11 http://www.freyapowell.com/new-page-2 daily 0.75 2024-02-11 http://www.freyapowell.com/after-perec daily 0.75 2021-02-28 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614541837232-UB9IZCWR6PWPXEJFP7CO/2015_AfterPerec_CW_1.jpg after perec https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614541837246-K4LIQVPOKYFC3QXN2ZBV/2015_AfterPerec_CW_2.jpg after perec https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614541849363-8I25VJW56S1ASDS45YQF/2016_AfterPerec_10.jpg after perec https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614541853791-UO210OBD0XD4MGRI3ZR4/2016_AfterPerec_11.jpg after perec https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614541951192-X94Q0GRJA5IR6RIF3FN0/NEW_MINIMALISTS-11_StevePaneccasio.jpg after perec installation view of After Perec. photograph by: Steve Paneccasio http://www.freyapowell.com/new-page daily 0.75 2021-02-28 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614541351733-JWD3PZHIG4MUH8VZDCSN/2017_WhatDidIExpectToFind_Install_1.jpg what did i expect to find? installation view of what did i expect to find? https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614541468239-71APNI1Q6DDKZ6RF0Y5I/Powell_Freya_01.jpg what did i expect to find? https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614541468285-GCPI9NMIAI14BRQ2PHCK/Powell_Freya_02.jpg what did i expect to find? https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614541469032-6MWEUKD64JYHXBBIY0H8/Powell_Freya_03.jpg what did i expect to find? https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1614541469214-KKYG93ZGSSB5T7O4K9GL/Powell_Freya_04.jpg what did i expect to find? http://www.freyapowell.com/new-page-3 daily 0.75 2025-07-23 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/67438231-80f2-40fd-8d87-5f2e95a11101/walter-wlodarczyk-2021-12-11-_87A7359.jpg no puedo no estar lamentándome: LLORA CHILLA GRITA CANTA - Make it stand out No puedo no estar lamentándome: LLORA CHILLA GRITA CANTA. 2021, 8-person performance, 30:00. Photo by Walter Wlodarczyk https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307458511-3EPU0TYHBLAW9YYB5FEJ/walter-wlodarczyk-2021-12-11-_87A7370.jpg no puedo no estar lamentándome: LLORA CHILLA GRITA CANTA https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307465573-I2BF5ZHAW2A0J4KOPHNW/walter-wlodarczyk-2021-12-11-_87A7387.jpg no puedo no estar lamentándome: LLORA CHILLA GRITA CANTA https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307468639-XJGT9M7KR0E58R328NRQ/walter-wlodarczyk-2021-12-11-_87A7394.jpg no puedo no estar lamentándome: LLORA CHILLA GRITA CANTA https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307492971-6QXO034DXESR1RJE4K1K/walter-wlodarczyk-2021-12-11-_89A7796.jpg no puedo no estar lamentándome: LLORA CHILLA GRITA CANTA https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307502394-1UDEPAVP3YKUFQ0CBEP3/walter-wlodarczyk-2021-12-11-_89A7835.jpg no puedo no estar lamentándome: LLORA CHILLA GRITA CANTA https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307511324-8DNE4GLTY5PJX6SAZ9NL/walter-wlodarczyk-2021-12-11-_89A7872.jpg no puedo no estar lamentándome: LLORA CHILLA GRITA CANTA https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307532071-GDWW4PLXJYTUR5IZR830/walter-wlodarczyk-2021-12-11-_89A7971.jpg no puedo no estar lamentándome: LLORA CHILLA GRITA CANTA https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307475037-PNSS54AR8OJM2VH9VS36/walter-wlodarczyk-2021-12-11-_87A7399.jpg no puedo no estar lamentándome: LLORA CHILLA GRITA CANTA http://www.freyapowell.com/i-cannot-not-grieve-cry-scream-shout-sing daily 0.75 2025-07-23 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/ccb5b0c0-b1dd-4335-a3a5-2680e8f6e02c/5I6A4666_resized.png i cannot not grieve: CRY SCREAM SHOUT SING https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753306942134-X83MGZUP1S5M4054N996/Screenshot+2025-07-23+at+5.41.25%E2%80%AFPM.png i cannot not grieve: CRY SCREAM SHOUT SING https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753306942901-E1JSEJA35Z92OZHIX7UO/Screenshot+2025-07-23+at+5.41.36%E2%80%AFPM.png i cannot not grieve: CRY SCREAM SHOUT SING https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753306951043-VLMW2FM9E8KYAXT70VQE/Screenshot+2025-07-23+at+5.41.48%E2%80%AFPM.png i cannot not grieve: CRY SCREAM SHOUT SING https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1696267795751-L6JTWXA4CAP67TNOR5HT/walter-wlodarczyk-2023-09-10-WWRA5720.JPEG i cannot not grieve: CRY SCREAM SHOUT SING https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/ed734d6a-bc63-4f9a-a308-ff16a4708407/walter-wlodarczyk-2023-09-10-WWRA5515.jpg i cannot not grieve: CRY SCREAM SHOUT SING https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307146015-1EWW1M2ZYC8OLW2LPN5J/walter-wlodarczyk-2023-09-10-WWRA5634.jpg i cannot not grieve: CRY SCREAM SHOUT SING https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1753307164130-7G9RZKRKGGBMBIKQTN00/walter-wlodarczyk-2023-09-10-WWRB7779.jpg i cannot not grieve: CRY SCREAM SHOUT SING https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/dfbf4c32-2ec9-4ae7-9529-f40cdd48fd2d/walter-wlodarczyk-2023-09-10-WWRA6077.jpg i cannot not grieve: CRY SCREAM SHOUT SING - Make it stand out i cannot not grieve: CRY SCREAM SHOUT SING, 2023, 8-person performance, 35:00, photo by walter wlodarczyk, courtesy of more art https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/1696267795751-L6JTWXA4CAP67TNOR5HT/walter-wlodarczyk-2023-09-10-WWRA5720.JPEG i cannot not grieve: CRY SCREAM SHOUT SING http://www.freyapowell.com/the-athena-series daily 0.75 2024-03-26 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/335d8fde-0cc6-48fe-8a12-2a5157494a40/2016_Sotu_still_2_resized.jpg the athena series - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.freyapowell.com/spaces-of-exception daily 0.75 2025-11-04 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/409d4a14-84d6-403a-b319-eada2fa0ab00/2024_SoE_Videotage.jpg spaces of exception - Make it stand out Installation view at Videotage, hong kong http://www.freyapowell.com/a-maritime-haunting daily 0.75 2025-07-23 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/bbc3c4e1-fb02-498e-a949-0ca7cdd098db/2024_AMaritimeHaunting_DukeUniveristy_1.png a maritime haunting - Make it stand out Installation view at the Rubenstein Arts Centre, Duke University http://www.freyapowell.com/untamed daily 1.0 2025-11-04 https://images.squarespace-cdn.com/content/v1/54a9a146e4b0fe119424e63b/890c04dd-496e-4d71-b23c-df709c8ef7a9/2023_OutOfTheUnexpected_2.jpg untamed, on a solitary mountain - Make it stand out Whatever it is, the way you tell your story online can make all the difference.